A tour, not a ballroom
The anniversary went out to eighteen locations instead of gathering everyone in one room. That is a different kind of show: the audience is spread across the country, and every stop is somebody local first night.
The anniversary went out to eighteen locations instead of gathering everyone in one room. That is a different kind of show: the audience is spread across the country, and every stop is somebody local first night.
The rooms have nothing in common. Sightlines, power, load-in, ceiling height and local crew change every time, while the show has to land the same way at every stop. That makes it a logistics problem wearing a stage.
Project management and production across the tour, from planning through show nights. Our job was that every stop landed as the main event rather than as a touring copy of one.
The same mindset that builds software runs a tour. Define the standard, build the system that repeats it, then be in the room when it has to hold.